There are a lot of Tarot spreads out there. If you follow any Tarot-related hashtag on Instagram, you’ll quickly see how many truly amazing and helpful spreads there are out there. There is a spread for just about every need that there could be….
This week’s Media review was a double-whammy of book and Tarot deck with the Neo Tarot by Jerico Mandybur. This book/deck combo focusses on using the cards for self-care and healing rather than predictive reading practices. One of the ways of doing this is…
~Embrasing your inner Mother-power, whoever you are, with a Mother’s Day Empress Tarot Spread~ Embracing Your Empress Happy Mothers Day around the world! As many can attest, there are so many definitions of ‘mother’, and those who embody the title don’t necessarily represent those…
This is a time to consider letting go of bad habits that lead to procrastination, or the habit of procrastination itself. Saturn is the planet of discipline, and as such, it’s retrograde motion will loosen that grip, which means we need to work to pick up Saturn’s slack.
Today is the final day of the 30-Day Tarot Writing Challenge, and we focus on the ending of the story, and making sure it makes sense. Happy Writing!
This is just the basic 2-Card Writing Prompt today, using a starting situation for Card 1 and a problem, which is Card 2. If you’re here for the first time, I usually do what is called the First Operation to determine the context or…
The Elixir can represent the moral of the story, in some way. Sure it can also be a physical potion or dino DNA, ring, or car (you get the idea), but if it’s an object, it should represent something that ties to the theme of the story, and thus carry through the ‘moral’ or the main message of the story. In this way, it can contribute and assist those who are not the MC proper.
This is a play on the Celctic Cross spread, looking at the spirual growth of your MC as a result of mastering the 2 worlds.
The Antagonist will have learned from their confrontation with the MC, and because of this, will have at least a little bit of an upper hand. Knowing what the Antagonist values from that interaction will be helpful in generating how their final confrontation goes.
This spread is a small spread, but one that is to be repeated per each flaw/problem. This don’t only need to be done with your MC, but with any characters that have an evolution within the story.
When considering what we need to let go, we need to consider what is damaging our climbing ability.
While this spread is going to identify the reward, it’s also going to identify the baggage that comes with it.
There are a lot of people who find difficulty with the Climax, because there is just so much that is meant to pay off at this point.
Tomorrow we’re going to look at how to construct the climax itself, but today is about that build toward the climax. This means that you need to get the stakes higher, build the tension, make sure the inner conflict is ringing pretty high, and that the external conflict is resonating with that.
Unless you’re intending to write a tragedy, it’s assumed that your MC is going to succeed in the end. Thus, it means that in some way, your Antagonist must have a downfall.
For the next three days we are going to look at the downfall of all those we hold dear. In order for there to be a good emotional impact, there has to be some failure. It makes the triumph at the end that much more powerful.
But now comes the second display of power, and this happens after the turn. And instead of intimidating your MC and scaring them off, this display of power spurs them on. After this, your MC knows more than ever that they must overcome this antagonist come Hell or High Water (whatever that phrase is), or die trying.
It’s up to you to decide when you give the reader this information, but I would advise against introducing Bob who’s family life was rocky, but it spurred him to the cold career of a prison guard, which kept him from seeking any permanent romance in his life—as soon as Bob walks into the room for the first time. These details can be drawn out and dotted throughout the story.
So here is a spread that gives you the basic outline for a backstory. One of the areas has to do with a professional life. If you’re dealing with a young character who might not have experienced a professional life, this can be interchanged with a social life, education, etc. Likewise, if you’re dealing with an older character and you want to include a social and/or education experience, all you have to do is add rows to the spread.
In yesterday’s spread, you drew a card which represented the first display of power of your Antagonist. This is what it is that makes your MC think that they don’t want to mess with the Antagonist, or that perhaps the job is too big. This occurs before the Turn in their position, but after they’ve crossed the threshold.