This is the second installment of the Weekly Tarot Card. You can read the first installment, ‘Observation and Description’ here.
We spent some time yesterday just observing the 2 of Wands and noticing what we thought and felt about it. Today we’re going to really spend sometime with the card and getting into it.
The focus of the 2’s is about union, harmony and balance. The element of the Wands is Fire, and for this meditation, we’re going to be focussing on how Fire nourishes us, and what it does to build union and balance. You can read more about the actual element itself in tomorrow’s post on Fire, the Wands, and the Number 2.
Find a comfortable and quiet place where you can keep a pen and paper near you, and ready to write what you find. If you are not a writer, or aren’t in a position to be able to write, making a video recording or a voice recording is just as good. Just try to avoid typing your responses during this exercise. You can transfer your findings onto a computer later, but not during the exercise.
Be sure to put your devices on silent or on Airplane mode so as not to distract yourself. If you prefer meditative music while you do this, try to avoid streaming anything, as any advertisements might disrupt this process (unless you have paid accounts).
Pick the 2 of Wands from the deck you intend to work with, or all of the decks. This meditation is for your connection with the card, and your developing understanding.
Close your eyes and allow yourself to breathe. As you inhale, feel the parts of your body expanding with the breath, and focus the pure white energy entering your Solar Plexus, the third Chakra from the base. As you breathe in, it glows, growing brighter. With its brightness, you feel a pleasant warmth spreading over you, an excited joy creeping through you. Smile to yourself if this helps.
As you exhale, let go any tension you’re holding. Relax your shoulders, your neck, your tongue, your toes, your fingers. Mentally move through the body and notice anywhere that is clenching, pressing, tightening, and let relax those parts.
Breathing in, draw in the white light, feeling the rich gold of your Solar Plexus brighten. It gets brighter and brighter with each breath you take, and you feel open to the energy of the Wands.
The energy of Plexus grows, brighter and brighter, bigger and bigger, expanding beyond you. As it expands you feel an increased momentum of creative energy radiating through you, calling you to action. In your position, you radiate creativity, warmth, joy, and passion for that which makes you, you.
Notice the weight in your hands. You have a mound of clay, heavy, the size of a football. Your hands move over it, pulsing with fiery energy, and with your fingers you shape it into a sphere. You find that your fingertips are loaded with different colors, and with them, you paint the sphere into the world.
What does your world look like to you? Is it your world? Or is it the world? What is your influence on this shaping that you hold in your hands?
After a few moments of breathing like this, open your eyes, and let yourself look at the 2 of Wands. At this point, you are just looking, observing. Mentally take note of anything that jumps out at you, but don’t put any meaning on it. Not yet. Just simply gaze at it, breathing slowly, but comfortably.
Take time to jot what you notice, what you feel, what you think. Spend as much time doing this as you want, fill as many pages as you’d like. After you’ve recorded, or before even, do something to fill your creative desire. Paint, sing, play music, write, draw, create.
The 2 of Wands is about nurturing the seed of creativity and passion found in the Ace of Wands, and bringing that idea into the world with your own unique branding. But there is more to it than that. It is about knowing the impact your influence has on the greater world, and considering how you are a smaller part of the bigger whole, and what you do matters.
Spend time reflecting on this, journal about it, draw it, sculpt it, dance it. Reflect on the weight of the globe in your lap, and how you can shape it.
If you’d like to read more card meditations, you can visit the Meditations Page here.
How was your meditation? What did you discover? What did you create? How do you feel the balance between you and the world sits? Is it in harmony? Let me know in the comments!
The Decks Used
The Aquarian Tarot in a Tin by Italian-born, American-raised David Palladini, was published originally in 1970 by U.S. Games Systems Inc, and then republished again in 2016 in a smaller size. Named after the Age of Aquarius, the Aquarian Tarot is a midieval depiction of the Rider-Waite Tarot system. The images are closer, and thus might give the impression of being more character-based rather than relying on symbolism. This intimate deck provides a stark reflection of the human condition in it’s journey through the tarot.
Faerie Tarot by Nathalie Hertz, published by U.S. Games Systems, Inc, 2008. Hertz is a French artist, and the creator of several other beautiful tarot decks. The Faerie Tarot was ‘inspired by the flora and fauna of the French countryside,’ and ‘invites you to see the world in a delightful new way…blending fantasy, whimsy, and nature.’
Impressionist Tarot by Arturo Picca (artist) and Corrine Kenner (author), published by Lo Scarabeo in 2015. This deck takes works of classic impressionist paintings and recreates them to fit the meanings of the tarot. It pulls from works of Edonard Manet, Claude Monet, Pierre Auguste Renoir, Edgar Degas, Vincent van Gough, and Paul Gauguin. A truly beautiful deck, especially for those who have interest in the art world.
Prisma Visions Tarot by James R. Eads, 3rd ed., published in 2016. The deck itself is beautiful, though perhaps not for the beginning tarot reader. The suits all fit together to create a master picture displaying the energy and progression of the suits. The figures and images flow from one card to the next, showing movement within the stationary cards.
Rider-Waite by A. E. Waite. The deck used in these photos is currently out of print. I won’t say much about this deck, as it is fairly standard and probably one of the most produced decks. It serves as a standard for many tarot readers and artists, depicting classic images relating in part to the original playing cards that tarot developed from.
The Spiral Tarot by Kay Steventon. With turn-of-the-20th-century style art, this deck takes from the classic Rider-Waite deck and brings it up to the late 1800-early 1900’s, a time of industry and contemplation for the western world as it moved forward into a more technological era. I am a little biased toward this deck as it’s been my main deck for 15 years. The cards are thick with additional symbolism that can be tricky to pick out of the traditional Rider-Waite, and adds layers of Greek myth throughout the Major Arcana.
Thoth Tarot by Aleister Crowley (designer and author) and Lady Frieda Harris (artist), published by U. S. Games Systems, Inc., in 1978. This deck takes from most esoteric imagery, and requires the reader of the deck to have deep, initiate knowledge of the symbolism used. There is nothing within the cards that is without meaning. However, on a more surface level, the deck draws from Egyptian symbolism and from the style of the Marseille Tarot (mostly seen within the Minor Arcana). For those looking for deeper understandings of the universe, I recommend this deck. I would caution that this deck is highly advanced, and might be avoided for the budding reader.
Vampire Tarot – by Nathalie Hertz, published by U.S. Games Systems, Inc. in 2000. As mentioned above in reference to the Faerie Tarot, Hertze is a French artist who gained her notability through the publication of her tarot decks. The Vampire Tarot was a bestselling deck upon its release, and plays on more gothic symbolism, providing more jarring interpretations to allow for the accepting of negative forces within the world to compliment the positive forces. The deck brings together myths and legends in the form of vampires, which ‘gives tarot readers a macabre passport’ into the world of divination.